45 results where found for «Cat Stevens»


Lucía

Music piece by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
[...]
« We would communicate with our companions who were one pavilion away. A kind of song-based dialogue was created. »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
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Valparaíso

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
[...]
« He guided my gaze to the distant Miraflores Alto hill, located in the neighbouring city of Viña del Mar, from whence Graciela would come to visit me with her warm gaiety, helping me to get through those times of hardship with joy and hope. »
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Love Song for a Disappeared Woman (Canción de amor a una desaparecida)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« Daniela was the political codename of María Cecilia Labrín, a member of the MIR. Agents of the DINA arrested her at her home on Latadía Street in Santiago in August 1974. She has never been seen again. »
[...]
« In my cell, I wrote this song dedicated to the memory of Daniela, I mean, of Cecilia... »
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Sinner, come to sweet Jesus (Pecador, ven al dulce Jesús)

Music piece by:
Unknown
Testimony by:
anonymous
Experience in:
« One time, a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. »
[...]
« After my time in prison, I couldn't finish my education and all employment opportunities disappeared. I went to Argentina. »
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Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« We would sing right up until reaching the entrance of the place where the prisoners were held. The place I most remember is the Cochrane Navy barracks located by the Los Ciervos river. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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Mid-Afternoon Love (Amor de media tarde)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is dedicated to Graciela Navarro, who managed to make my prisoner's life more beautiful on the days we were allowed to receive visitors. »
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Love (Amor)

Music piece by:
Guillermo Núñez (lyrics) and Sergio Vesely (music)
Testimony by:
Sergio Vesely
« This song is based on a poem Guillermo wrote in the Puchuncaví Prison Camp dedicated to his partner Soledad. Of all the songs I composed as a prisoner, this is the only one where the lyrics are not mine. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« We would arrive marching and singing military songs to the place where the flagpole was located and, when the order was given, it was our duty to sing the National Anthem. »
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